An American Tail : Fievel Goes West Cards. "[86] Both Fievel Goes West and the first American Tail were tied for the number-five spot of a list of best non-Disney films from My Web Times: "Political and historical, these feature some fab songs and fun voice-over work from the likes of Jimmy Stewart (in his last role), John Cleese, Madeline Kahn and Dom DeLuise. Maybe we put too much faith in a sequel Fievel's American Tails when our audience had grown out of [An American Tail] six years later. [12] Spielberg met Stewart at a party asking him to voice Wylie Burp, and all of Stewart's lines were recorded in ten days; his last involvement in a Western was in The Shootist (1976).[13]. Vintage from the 1990s Description. Universal 10-Film Animation Collection Multi-Feature Edition. An American Tail deals with very critical, hard themes for a children’s cartoon. An American Tail is probably his second most well-known film and I really wanted to see it. Titanic - La leggenda continua (2000) Tanya's original voice actor, Amy Green, was replaced by Cathy Cavadini, and new characters were voiced by John Cleese, Amy Irving, Jon Lovitz, and James Stewart in his final film role. James Horner returned as a composer and wrote the film's song "Dreams to Dream", which garnered a Golden Globe nomination. A sequel to An American Tail (1986), the film follows the story of the Mousekewitzes, a family of Jewish-Ukrainian mice who emigrate to the Wild West. Amblin Entertainment previously competed with Disney twice: in 1986 when the first American Tail competed with a reissue of Lady and the Tramp (1955), and One Hundred and One Dalmatians in 1988 when it released The Land Before Time (1988) around the same time as Oliver & Company (1988). [57] Peter M. Nichols analyzed Fievel Goes West "was panned on the ground that it was not so innovative as other new animated films, notably Beauty and the Beast from Disney, the leader in animation. Directed by Don Bluth. 21,463 Pages. A family of Emigre mice decide to move out to the West, unaware that they are falling into a trap perpetrated by a smooth-talking cat. [7] In December 1988, Universal announced that they would release an animated film every eighteen months and begin production on An American Tail II in early 1989. [29] Upon the film's release, Universal Studios Tour opened the attraction Mouse Trap, a 2,500-seat interactive version of Fievel Goes West. That's What Friends Are For 13. Andrew’s Blu-ray Review: ‘AN AMERICAN TAIL: FIEVEL GOES WEST’ [1991] animated film is the continuing adventures of the animated Jewish mouse and his Russian emigre family started with the heart-warming animated feature film entitled ‘An American Tail’ in 1986. [28][99] Nichols and Tower Video's John Thrasher predicted it would do well in sales due to a lack of competition. "[72] The Washington Post praised it for being "quick, vivid and a real hoot to viewers of any age", but also noted its wonky setup: "the family is tricked into a cross-country quest by a fast-talking fake mouse [...] Not only are the marionette's strings fully visible during Cat R. Waul's spiel, but the cat can be seen through a sewer grate. With the second collaboration between Bluth and Speilberg following An American Tail, the duo definitely had Disney against the ropes in the mid-'80s. The saga of the Mousekewitz family continued in 1991's "An American Tail: Fievel Goes West" featuring the voices of Phillip Glasser and Jimmy Stewart. In 1890, five years after immigrating to the United States, the impoverished Mousekewitz family discovers that conditions are not as ideal as they had hoped, as they find themselves still struggling against the attacks of mouse-hungry cats. Phillip Glasser, Dom DeLuise, Nehemiah Persoff, and Erica Yohn reprise their roles from the first film for Fievel Goes West. An American Tail: The Mystery of the Night Monster was the second direct-to-video sequel to An American Tail: The Treasure of Manhattan Island and the fourth final film in the An American Tail tetralogy, starring Thomas Alexander Dekker as the main character, the young Fievel Mousekewitz. At the beginning of the film, the story parallels that of a Russian-Jewish human family and that of the Russian-Jewish Mousekewitz family. An American Tail Page. "[74] Roger Ebert gave it two-and-a-half stars out of four and wrote, "There is nothing really the matter with An American Tail: Fievel Goes West, except that it is not inspired with an extra spark of imagination in addition to its competent entertainment qualities". Language; Watch; Edit; Pages in category "Direct-to-video sequel films" The following 200 pages are in this category, out of approximately 371 total. Subtitles: English SDH. [20] In 1989, the date was moved again to Christmas 1992[21] before reverting to Christmas 1991 in May 1990, when the subtitle Fievel Goes West and a follow-up television series was also first announced. These movies aren't mutually exclusive. Debuting five years after the original production, "Fievel Goes West" offers both a … [95], Comedy television series such as 30 Rock,[96] Brooklyn Nine-Nine,[97] and Rick and Morty have referenced Fievel Goes West. [5], Spielberg produced the live-action animated film Who Framed Roger Rabbit (1988), which was the top grossing motion picture of 1988. "[62] While Terry found most of the characters unmemorable,[63] he and other reviewers praised the presence of Wylie Burp. An American Tail: Fievel Goes West is the final film in the franchise that was theatrically released before it spun off into a TV series, Fievel's American Tails. "[59] The Radio Times enjoyed the animation the least, "the animation could easily have been done in the 1940s, such is its flat traditionalism. An American Tail: The Treasure of Manhattan Island is the third installation in the American Tail series, after both An American Tail and An American Tail: Fievel Goes West and before An American Tail: The Mystery of the Night Monster. The story is just a rehash of the first film with Tiger getting promoted to costar. He tells Miss Kitty to put her on stage. [67] However, one reviewer appreciated the bits of "sophisticated humor" and Holocaust undertones in the script,[63] and another highlighted its gag, such as the scene of Tiger being taken captive by the Indian mice. "[10] With no Bluth in sight for the sequel, Spielberg instead relied on ex-Disney animator Phil Nibbelink and ex-Richard Williams storyboard artist Simon Wells, the great-grandson of science-fiction author H. G. Wells, to direct the project. Fievel later served as the mascot for Steven Spielberg's Amblimation animation studio, appearing in its production logo. [78] In a 1993 newspaper feature about portrayals of females in animated films, journalist Ann Doss Helms disliked how most animated women had no other characters of the same gender to motivate or guide them; the writer criticized how little attention Tanya's parents gave to her aspirations, but praised the advice Miss Kitty gave to Tanya, suggesting "there's hope that things are changing". Genres Studios Franchises Top 10 Lists $1 years Films. Fievel convinces him to help and train Tiger as a lawman and as a dog. "[51] Some journalists and film executives attributed the film's weak box office to the intense competition it faced with Beauty and the Beast. In it, Fievel is separated from his family as the train approaches the American Old West; the film chronicles him and Sheriff Wylie Burp teaching Tiger how to act like a dog. A Mouse Known as Zorrowitz 10. [50], According to The Washington Post, Fievel Goes West tied with For the Boys (1991) for "the dubious if unofficial distinction of the fastest failure of a big-budget holiday movie. With a little encouragement from Miss Kitty, she pulls off a performance for the cats. With James Stewart, John Cleese, Amy Irving, Phillip Glasser. Moviepedia: Your Film Guide. 1999 The American Tail sequel VHS $21.23 Loading Only 1 available. This continues in all other sequels and adaptations, stretched to even more ridiculous heights in all three sequels. [11] He accepted the offer based on his enjoyment of the first American Tail and "I love sound studios anyway – there's none of the hassle and boredom and time wasting you get in television. Solomon criticized the little amount of "nuances of thought and emotion" in the characters;[60] The New York Times summarized the movie's take on the West as "surprisingly dull;"[64] Kield felt that some scenes, especially those that take place in the West, could've been a bit lighter;[68] and The Austin Chronicle opined that "the foregrounds are expressive but the backgrounds are bland and uninspired. The film was followed by its theatrical sequel An American Tail: Fievel Goes West (1991), the television series Fievel's American Tails, and two direct-to-video sequels: An American Tail: The Treasure of Manhattan Island and An American Tail: The Mystery of the Night Monster, none of which Don Bluth had any involvement with. You can't buy your own item. The ending of this film shows Fievel falling asleep which may mark that there wouldn’t be another American Tail film. Category:Disney Sequels Disney the Perils of the Orphan Sisters II: Donald in his flying Machines Dizzy's Candy Quest 2 (2015) 【Tiny Toon Adventures Video Game Remake】 There's a big market out there. She will be jealous of the American Indian princess for Tony very racial. Join the adventures of an adorable mouse named Fievel in this heart-warming “tail” of following your heart. The success of one doesn't depend on the failure of the other. Two direct-to-video sequels were produced after the series: An American Tail: The Treasure of Manhattan Island, released in 1998, and An American Tail: The Mystery of the Night Monster, released in 1999. Games Movies TV Video. A piece of dialogue from Fievel in the former appears to retcon Fievel Goes West as a dream the character had, but many fans would prefer to see both direct-to-video films as prequels that take place before Fievel Goes West, with the dialogue being taken as foreshadowing. Meanwhile, Tiger's girlfriend, Miss Kitty, leaves him to find a new life out west, remarking that perhaps she is looking for "a cat that's more like a dog". While on the train, Fievel wanders into the livestock car, where he overhears the cats revealing their plot to turn them into "mouse burgers". [6], The voices were recorded over a 10-day period at Interlock Studios (now Larson Studios) at Crossroads of the World in Los Angeles in 1989, ten takes for each actor at varying speeds and phrasing. I looked for it for years in thrift stores and online. Also, as reported on the official An American Tail website, Fieve… [16] Each and every week, the animators drew 5 to 10 minutes worth of storyboards, which were then shipped to Amblin Entertainment's main headquarters in Universal City, California, where they were approved by Spielberg and his creative team. I finally found the first one on a website that only allowed me to watch fifteen minutes a day and I still loved it. 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